Vesica Piscis Meaning: Two Overlapping Circles, the Ichthys, Gothic Arch & Sacred Mathematics
By DailyDestiny Editorial Team
You keep noticing the same almond shape in church arches, fish symbols and pendants, and you want to know why it matters. Learn what the Vesica Piscis means, its 1:sqrt(3) math, its Christian and Gothic history, and how to meditate with it.
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What is the Vesica Piscis and why is it the most important compound form in sacred geometry?
Imagine you keep noticing the same almond shape. It is in the pointed arch of an old church, the little fish badge on the car in front of you, the two overlapping rings on a friend's pendant. Once you see it, you cannot stop seeing it, and you start to wonder why so many people across so many centuries chose it.
The short answer: That shape is the Vesica Piscis, the almond-shaped overlap of two equal circles where each center sits on the other circle's edge. Sacred geometry treats it as the first form born from relationship rather than isolation. One circle stands for unity. Two circles meeting create something new that belongs to both and is neither.
That is why practitioners call it the archetype of creation, birth and the new arising from the meeting of equals. Think of two people in a real friendship: each stays whole, and yet something exists between them that neither could make alone.
The math backs up its place at the start of everything. Its height-to-width ratio is exactly 1 to the square root of 3 (1:1.7320508...). That irrational proportion produces the 60-degree angle, the equilateral triangle, the regular hexagon and the whole hexagonal family that ends in the Flower of Life.
By joining points inside the Vesica Piscis, you can build equilateral triangles, squares, pentagons and hexagons. You can also derive all three fundamental irrational numbers of geometric construction: the square root of 2, the square root of 3 and the golden ratio.
Euclid saw its power. He used the two-circle construction in the very first proposition of the Elements (Proposition I.1) to prove that equilateral triangles exist. By opening his masterwork with it, he made the Vesica Piscis the gateway through which all later geometry enters. Every form in the sacred geometry canon traces its family tree back to it.
The name translates from Latin as "bladder of the fish," meaning a fish's swim bladder, which has a similar long oval shape. The term appears in medieval Latin manuscripts on both practical geometry and sacred symbolism.
The shape has other names too. "Mandorla" (Italian for "almond") describes it in sacred art. German geometric tradition calls it "Fischblase" (fish bladder), and some English sources call it the "Vessel of the Fish." So many names across so many languages shows how widely it was recognized.
Its proportions produce what the ancient Greeks called the "measure of the fish." Its link to the Christian ichthys (fish) symbol is one of the most elegant meetings of mathematical form and religious meaning in the history of sacred symbols.
How do you construct a Vesica Piscis?
Set your compass to any radius and draw a circle. Without changing the width, put the compass point anywhere on the circle's edge and draw a second circle. The almond-shaped overlap is your Vesica Piscis.
Join the two points where the circles cross with a vertical line: that is the major axis. The line joining the two circle centers is the minor axis. Major to minor is the square root of 3 to 1.
It takes about thirty seconds and no measuring at all, which makes it the easiest doorway into sacred geometry practice.
Why is the Vesica Piscis called a "portal" in sacred geometry?
Because it stands for the space between two worlds, two states or two principles. A doorway is the space between two rooms, and the Vesica Piscis is the space between two circles.
In sacred art, the mandorla surrounds figures who exist between worlds: the resurrected Christ between death and life, the Virgin between heaven and earth. The birth canal is often compared to it too, as the portal through which new life enters the world.
What is the relationship between the Vesica Piscis and the human eye?
It closely resembles the human eye in profile. The two arcs form the upper and lower eyelids, and the pointed ends match the inner and outer corners.
That likeness has tied the Vesica Piscis to vision, perception and spiritual sight. The "Eye of God" in various traditions is often drawn in this form. For sacred geometry, the match between the shape and the organ of seeing reinforces the idea that these proportions are woven into living form.
What are the parts of a Vesica Piscis called?
There are four named parts.
The cusps or nodes are the two sharp tips where the circles cross. They mark the ends of the major axis.
The major axis is the vertical line joining the two cusps, measuring r times the square root of 3.
The minor axis is the horizontal line joining the two circle centers, measuring exactly r. It runs through the widest part of the almond.
The lens or lune is the enclosed overlap itself.
In practice, the two cusps are treated as the points of contact between the two worlds the circles represent. The spot where the two axes cross is the still center of the figure, and it is usually where gazing meditation is directed.
What does the Vesica Piscis build once you add more circles?
Add a third circle of the same radius, centered on one of the cusps, and you get a triquetra of three overlapping lenses with a curved triangle in the middle called the reuleaux triangle.
Keep placing circles on each new crossing point and the figure closes at seven, the pattern covered in Seed of Life Meaning: 7 Circles, Genesis Pattern & Foundation of Sacred Geometry. Keep going outward and you get the lattice described in Flower of Life Meaning: Ancient Symbol of Creation from Osiris Temple to Da Vinci.
That is why practitioners describe the Vesica Piscis as the single cell from which the hexagonal patterns grow.
How did the Vesica Piscis shape Christian art and Gothic cathedral architecture?
If you have ever stood inside a cathedral and felt your eyes pulled upward, you have felt the Vesica Piscis at work. It shaped two of Christianity's most distinctive creations: the symbolic language of sacred art and the engineering of Gothic cathedrals. In both, a form from the simplest compass move carried the tradition's deepest ideas.
In sacred art, it appears as the mandorla, the almond-shaped aureole around Christ and the Virgin Mary in scenes of supreme significance. In Christ in Majesty (Maiestas Domini) images, Christ sits on a throne inside a Vesica Piscis frame, usually with the symbols of the four evangelists in the corners. It also appears in the Transfiguration, the Resurrection, the Ascension and the Last Judgment.
The meaning is precise. One circle is the divine world and the other is the human world. Christ sits in the overlap because he is both divine and human at once. The Incarnation, the central mystery of Christian theology, is drawn in geometry.
In architecture, Gothic builders took the pointed arch from the same construction. The equilateral pointed arch, where each arc's radius equals the span, is identical to the top half of a Vesica Piscis. First widely used at the Abbey of Saint-Denis (1135-1144 CE) near Paris, it transformed European building by allowing unprecedented heights. It sends loads more vertically than the Roman semicircular arch, cutting the sideways thrust that had kept Romanesque buildings low.
Rose windows, another Gothic signature, use Vesica Piscis crossings as the framework for their complex tracery.
The move from Romanesque to Gothic at Saint-Denis under Abbot Suger (1081-1151) is one of architecture's great turning points, and it was openly driven by sacred geometry and theology.
Suger, influenced by the writings attributed to Pseudo-Dionysius the Areopagite, believed divine light (lux divina) could be channeled through architecture to lift the worshipper's soul toward God. The pointed arch made possible the huge windows that filled Gothic interiors with colored light. His theology became, quite literally, stone and glass.
The master builders of the Gothic period were organized in lodges that would later become Freemasonic lodges, and they passed their geometric knowledge on through apprenticeship. Their methods for drawing every proportion of a cathedral from one generating circle, using only compass and straightedge, were closely guarded trade secrets. They stayed oral until manuscripts like Villard de Honnecourt's portfolio (circa 1230) recorded some of them.
What is the difference between a Romanesque and a Gothic arch?
A Romanesque arch is a semicircle, exactly half a circle, smooth and round. A Gothic arch is pointed: two circular arcs meeting at a tip, identical to the top half of a Vesica Piscis.
The structural difference is huge. A semicircular arch pushes outward (lateral thrust) almost as much as it pushes down, so it needs thick walls to hold it in. A pointed arch sends more force straight down, which allows thinner walls, taller buildings and bigger windows. That one geometric change gave Gothic cathedrals their soaring heights and luminous interiors.
How are rose windows designed using Vesica Piscis geometry?
A rose window starts with one generating circle. Inside it, the designer draws overlapping circles to create several Vesica Piscis figures, forming a web of pointed arches and petals. This becomes the tracery, the stone frame that holds the glass.
The number of main divisions (typically 6, 8 or 12) sets the window's symmetry. Each division is split again with smaller Vesica Piscis constructions, producing the lace-like stonework of Gothic tracery. The whole design comes from compass-and-straightedge steps rooted in this one shape.
Why did early Christians adopt the fish symbol?
Early Christians in the Roman Empire had three reasons.
First, the Greek word for fish (IXTHYS) formed an acronym for Iesous Christos Theou Yios Soter (Jesus Christ, Son of God, Savior).
Second, the fish recalled Jesus's miracles involving fish and his call to the disciples to become "fishers of men."
Third, the fish shape (Vesica Piscis) was already a pre-Christian sacred symbol tied to fertility, the divine feminine and the creative womb. That let Christians express their faith through a symbol with existing sacred meaning while avoiding open identification during times of persecution.
What is the difference between a mandorla and a halo?
A halo is a circle of light behind a figure's head. A mandorla is a Vesica Piscis-shaped aureole around the whole body. In Byzantine and medieval Western art, the difference carries theological weight.
Halos are given widely, to saints, apostles, angels and evangelists alike, to mark holiness. Mandorlas are kept for figures crossing between the divine and human orders: Christ in Majesty, the Transfiguration, the Ascension, the Harrowing of Hell and the Assumption of the Virgin. A figure in a mandorla is shown in the act of moving between worlds, not simply as holy.
Many artists painted the mandorla in graduated bands of blue or gold. Even when it is filled with rays or clouds, the pointed almond outline of the Vesica Piscis stays visible.
What is the mathematical significance of the Vesica Piscis ratio?
If math has ever felt cold to you, this is the place where it turns surprisingly warm. The Vesica Piscis holds the relationships that sit under all of sacred geometry, making it the key stepping stone between the circle and every complex pattern that follows.
Its main ratio, 1 to the square root of 3 (width to height), is one of the three master proportions of geometric construction, alongside the square root of 2 and the golden ratio.
The square root of 3 (about 1.7320508) is the Vesica Piscis's height-to-width ratio. It produces every 60-degree and 30-degree angle, which produce the equilateral triangle and the regular hexagon. Those are the building blocks of the Seed of Life, the Flower of Life and all hexagonal sacred geometry. So this ratio is, quite literally, the seed those patterns grow from.
The square root of 2 (about 1.4142136) comes out when you draw a square inside one of the two circles and measure its diagonal. By the Pythagorean theorem, a unit square's diagonal is the square root of 2. It produces every 45-degree angle and is the basis of the Ad Quadratum system used in Gothic cathedral design.
The golden ratio (about 1.6180339) takes a longer route, through the pentagon construction Euclid shows in Book IV of the Elements. The pentagon needs phi for its diagonal-to-side proportion, and it can be built from relationships already present in the Vesica Piscis. So phi is reachable from here too, just indirectly.
These three numbers, the square root of 2, the square root of 3 and phi, make up the complete toolkit of sacred geometric construction. Every proportion, angle and form in the canon comes from them, and all three come from the Vesica Piscis. That is why it is called the "womb" of sacred geometry: it holds, in potential, every form that follows.
The Vesica Piscis also connects to pure mathematics, apart from any sacred meaning.
The square root of 3 is the simplest example of a quadratic irrational, a root of a degree-2 polynomial with integer coefficients (x-squared = 3). All three master proportions (sqrt(2), sqrt(3), phi) are quadratic irrationals, and together they generate all the constructible regular polygons, the ones you can build with compass and straightedge.
Gauss's constructibility theorem (1796) proved that a regular polygon with n sides is constructible if and only if n is a power of 2 times a product of distinct Fermat primes. Those polygons include the triangle (linked to sqrt(3)), the square (linked to sqrt(2)), the pentagon (linked to phi) and their multiples. That deep link to the theory of constructibility gives the Vesica Piscis mathematical weight in its own right.
How do you derive the square root of 3 from the Vesica Piscis?
Draw a Vesica Piscis with circles of radius r. Join the two crossing points with a line, the major axis. Its length is r times the square root of 3.
To check: the two circle centers plus one crossing point form an equilateral triangle, every side equal to r. The major axis is twice that triangle's height. An equilateral triangle with side r has height r times sqrt(3)/2, so the full axis is r times sqrt(3). You get it straight from the drawing, with no calculation needed.
What is the area of the Vesica Piscis?
For two circles of radius r, the area is (r-squared) times (2pi/3 minus sqrt(3)/2), about 1.2284 times r-squared.
The formula treats the area as two circular segments, each spanning a 120-degree (2pi/3 radian) angle. It neatly combines pi (from the arcs) and sqrt(3) (from the equilateral triangle), the two constants that define the shape.
Compared with one full circle, the overlap is (2/3 minus sqrt(3)/(2pi)), about 0.3910. In other words, the overlap covers about 39% of one circle.
How does the Vesica Piscis relate to the square root of 2?
It gives you the square root of 3 directly, and the square root of 2 through a second step. Draw a square inside one of the generating circles. By the Pythagorean theorem, its diagonal equals r times sqrt(2), since a unit square's diagonal is sqrt(2).
Or build a right isosceles triangle using the Vesica Piscis axis as one leg. The hypotenuse relates to that leg by sqrt(2). Either way, the figure gives you access to all the fundamental proportions, not just the hexagonal ones.
How did medieval masons and craft traditions use the Vesica Piscis as a practical tool?
If you like tools that just work, you will appreciate how medieval masons saw this shape: as a working instrument, not a symbol. The two-circle construction solves four problems that come up constantly on a building site, and it solves them with no ruler, no numbers and no unit of measurement.
Bisecting a line. Strike two equal arcs from the ends of any line. The major axis of the resulting Vesica Piscis cuts that line exactly in half.
Raising a perpendicular. The same major axis gives you one for free, because it crosses the minor axis at a right angle.
Making a 60-degree angle. The two circle centers and either cusp form an equilateral triangle, so the angle is right there.
Scaling up a design. The construction works at any size, so a mason with a rope and two pegs could copy onto stone the same ratio a compass drew on parchment. It is like a recipe that tastes the same whether you cook for two or two hundred.
This is why the ad triangulum system of cathedral design, which builds a whole elevation from equilateral triangles, is in practice a system of repeated Vesica Piscis steps.
Outside building, the shape became the standard outline for church seals. Bishops, abbeys and cathedral chapters across medieval Europe pressed pointed-oval vesica seals into wax, setting clerical authority apart from the round seals of lay lords and merchants.
The shape outlived the medieval lodges. Stonemasons, carpenters and metalworkers still use the two-arc method to find centers and square up work when no measuring tool is handy, usually without knowing the figure has a name.
It also came back on purpose in the British revival of sacred geometry. The wrought-iron cover of the Chalice Well at Glastonbury, designed by the architect and archaeologist Frederick Bligh Bond, is built around two interlocking circles forming a Vesica Piscis, with a spear laid across the axis. That cover is largely why the shape is now linked with Glastonbury, the Grail legend and British earth mysteries.
What is the difference between ad triangulum and ad quadratum design?
They are the two rival proportional systems of Gothic cathedral design. The difference is which figure sets every height and width in the building.
Ad triangulum takes every proportion from the equilateral triangle, which means from the Vesica Piscis, since that triangle hides inside every two-circle construction. Its governing number is the square root of 3, and it produces fairly steep, tall elevations.
Ad quadratum takes proportions from the square and its diagonal, with the square root of 2 as its governing number. It produces broader, steadier-looking elevations.
Neither uses the golden ratio as its generator, though phi does appear in Gothic pentagonal tracery, covered in Golden Ratio in Sacred Geometry: 1.618, Greek Temples, Human Body, DNA & Spiral Galaxies.
How is the Vesica Piscis used in sacred art and spiritual symbolism across traditions?
If you have ever felt drawn to a symbol without quite knowing why, the Vesica Piscis may be speaking to something many traditions felt before you. For millennia it has served as a sacred symbol, with each tradition stressing a different side of it, and all sharing one idea: this is where complementary principles meet and create.
In pre-Christian traditions, it was linked with the divine feminine and the creative power of the womb. Its pointed oval was recognized as resembling the vulva, and it appeared in goddess worship across the ancient Mediterranean, Mesopotamia and India. The Sheela na gig figures on medieval churches in Britain and Ireland show exaggerated Vesica Piscis-shaped openings, possibly keeping pre-Christian fertility symbolism alive inside Christian buildings. In Hindu tradition, the yoni (womb) symbol often takes this shape, representing Shakti's creative power.
In Christian tradition, as you saw above, it appears as the ichthys (fish symbol), the mandorla (body aureole) and the structural basis of Gothic architecture. It also serves as a geometric picture of the Trinity: from two overlapping circles (Father and Son), a third distinct form (the Holy Spirit) emerges in their overlap. Two circles generating a third mirrors the theology of three persons in one God.
In modern sacred geometry practice, it is a meditation symbol for the creative power of relationship: new forms come not from isolation but from the meeting of equals. You will see it in jewelry, tattoo art and environmental design as a sign of partnership, co-creation and the fertile space between complementary forces.
Scholars of comparative religion and sacred geometry have documented the shape's cross-cultural role as a symbol of the divine feminine.
Marija Gimbutas's archaeological research on Old European civilizations identified Vesica Piscis-shaped engravings on pottery, figurines and temple walls dating from the Neolithic period (7000-3000 BCE). Her broader thesis about a peaceful, goddess-worshipping Old Europe has been critiqued, but the archaeological evidence for Vesica Piscis symbolism in Neolithic contexts is substantial.
The shape stands for both the feminine creative principle and the mathematical gateway to all geometric form. That meeting of body and abstract math has inspired artists and contemplatives across the ages.
How does the Vesica Piscis represent the Trinity in Christian sacred geometry?
Through how it is made. Two circles (Father and Son) generate a third distinct form (the Holy Spirit) in their overlap. The three are distinct yet inseparable, just as the Trinitarian persons are distinct yet one God.
Some medieval theologians went further. They noted that all three regions (circle one only, circle two only, and the overlap) come from a single compass setting, like one divine essence shared by three persons. This geometric analogy appears in various medieval treatises on sacred geometry and Christian symbolism.
What is a Sheela na gig and how does it relate to the Vesica Piscis?
Sheela na gigs are stone carvings on medieval churches and castles, mainly in Ireland and Britain. They show female figures displaying exaggerated vulvas in a Vesica Piscis shape.
Their origin and meaning are debated. They may be pre-Christian fertility symbols built into Christian buildings, apotropaic (evil-averting) guardians, or warnings against lust. Their Vesica Piscis-shaped openings link them to the old association between this form and the divine feminine, suggesting a thread of meaning running from pre-Christian goddess traditions into the medieval period.
How is the Vesica Piscis used in modern logo and brand design?
You have probably seen it today without noticing. The MasterCard logo (two overlapping circles) is a direct Vesica Piscis. The Gucci logo and many fashion marks use overlapping circles. The shape turns up in car badges, tech logos and institutional seals.
Designers choose it for its visual balance, its link to partnership and unity, and its mathematical precision. It says harmony, connection and creative meeting, without the viewer needing to know any geometry.
How can you work with the Vesica Piscis in meditation and creative practice?
If you have been looking for a way into sacred geometry that does not feel overwhelming, this is it. The Vesica Piscis needs one compass setting and two circles, yet it opens onto deep contemplative and creative ground that rewards you the longer you stay.
Construction meditation starts with drawing. Set your compass, draw a circle, and pause. That single circle is unity, the undivided whole. Now place the compass on its edge and draw the second circle. In that moment, unity becomes relationship, and the Vesica Piscis appears. Let it be a picture of any creative act: two complete things meeting and making something new that belongs to both yet is neither.
Gazing meditation means sitting with a clearly drawn Vesica Piscis at eye level. Rest your focus softly on the center of the overlap, the narrow waist where the two circles come closest. Let your side vision hold both circles at once. This trains you to see relationship, to see the space between things as meaningful rather than empty. After several minutes, close your eyes and picture the form inside.
Contemplative journaling turns the shape toward your own life. Where do you live in the overlap between two worlds, two identities, two commitments? What becomes possible there that is not possible in either circle alone? The Vesica Piscis reframes the discomfort of being "between" as the most creative place you can stand.
Creative work uses it as a design tool. Make art using only overlapping circles of equal radius and watch how much richness grows from one rule. Design jewelry, textiles or room layouts on Vesica Piscis proportions. Working within two equal circles teaches the core lesson of sacred geometry: simplicity generates complexity.
The Vesica Piscis works the way basic exercises do in other contemplative paths. A Zen practitioner may spend years with a single koan. A musician keeps returning to scales. In the same way, sacred geometry practitioners find this shape deepens the longer they give it attention.
What looks simple at first reveals layers of math and meaning that reward years of practice. The Vesica Piscis is to sacred geometry what the single brushstroke is to Zen calligraphy: so basic that it holds the whole tradition in seed form.
Master practitioners report that their grasp of complex forms like the Sri Yantra or Metatron's Cube is grounded, in the end, in their relationship with the Vesica Piscis, because every complex form is built from this simple beginning.
What insights commonly arise from Vesica Piscis meditation?
Practitioners commonly describe three.
First, creativity needs relationship. Nothing new comes from isolation, only from different things meeting.
Second, the space between apparent opposites is not empty. It is the most fertile ground there is.
Third, simple rules make complex forms. Many say this changed how they understand complexity in nature and in life.
These insights are felt more than reasoned out. They come from spending real time with the shape.
How do I use the Vesica Piscis in art projects?
Make a series using only overlapping circles of equal radius. Start with two (the Vesica Piscis itself), then try three, four, five and finally seven (the Seed of Life).
Use color to pick out different overlap regions. Play with scale by nesting smaller Vesica Piscis forms inside larger ones. Cut the shape from paper and build three-dimensional sculptures, or carve and mold it in clay. Working with one geometric move forces creative problem-solving and gives results with a natural mathematical harmony.
Is the Vesica Piscis a good starting point for children learning sacred geometry?
Yes, it is ideal. Any child who can use a compass can draw it, and the result, an "almond" or "eye" shape, is instantly satisfying and recognizable.
Children can color the different regions, count the crossing points and discover the equilateral triangle hidden inside. It connects to things they can spot in nature (honeycomb shapes, flower petals) and to art projects (mandala coloring, pattern design). Starting here builds their confidence for harder constructions later.
Questions people ask
What is the Vesica Piscis?
The Vesica Piscis (Latin for "bladder of the fish") is the almond-shaped area you get when two circles of the same radius overlap so that each circle's center sits on the other's edge. It is the first compound form in sacred geometry, made by the simplest step after drawing a single circle. Its width-to-height ratio is 1 to the square root of 3 (about 1:1.732), and it gives rise to the proportions from which all later sacred geometric forms are built.
What does the Vesica Piscis symbolize?
It stands for the creative meeting of complementary forces: spirit and matter, masculine and feminine, heaven and earth, the manifest and the unmanifest. Because it comes from two identical circles overlapping, it represents the space where two equal but different worlds meet and mix. It has been linked with the birth canal, the eye, the mouth (speech as a creative act) and the portal between worlds. Christianity took up its shape as the ichthys (fish) and the mandorla (the aureole around Christ and Mary in sacred art).
How is the Vesica Piscis related to the Christian fish symbol?
The ichthys, the fish symbol of the early Christians, is a simplified Vesica Piscis. The pointed oval made by the overlapping circles looks like a fish in profile. Early Christians chose it partly because the Greek word for fish (ichthys) was an acronym for "Jesus Christ, Son of God, Savior." The shape was already linked with sacred femininity and creation in pre-Christian traditions, and Christianity added new layers of meaning while keeping its old link to the creative, life-giving principle.
What is the mathematical significance of the Vesica Piscis?
Its height-to-width ratio is the square root of 3 (about 1.732:1), one of the three fundamental irrational numbers in geometric construction. From it come all 60-degree and 30-degree angles, which underlie the equilateral triangle, the regular hexagon and the whole family of hexagonal sacred geometry, including the Seed of Life and Flower of Life. The Vesica Piscis also lets you construct the square root of 2 and, through longer constructions, the golden ratio, which is why it is called the gateway to all sacred geometric proportion.
How does the Vesica Piscis generate the Gothic pointed arch?
The Gothic pointed arch is the top half of a Vesica Piscis. To draw one, swing two arcs of equal radius from the arch's two base points, each arc passing through the opposite base point. They meet at a point above the center, giving the familiar pointed shape. This arch is structurally stronger than the semicircular Roman arch because it sends sideways thrust more downward, which allows thinner walls, taller buildings and larger windows. Gothic builders drew this engineering breakthrough straight from sacred geometric construction.
What is the mandorla and how does it use the Vesica Piscis?
The mandorla (Italian for "almond") is an almond-shaped aureole or halo that surrounds the whole body of Christ, the Virgin Mary or saints in Byzantine, Romanesque and Gothic sacred art. Its shape is the Vesica Piscis. It first appeared in early Christian art around the 5th century and became standard in images of Christ in Majesty (Maiestas Domini) and the Assumption or Coronation of the Virgin. In theology it represents the meeting of the divine and human worlds, the place where heaven and earth overlap, which the Vesica Piscis expresses perfectly.
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Related topics: vesica piscis meaning, vesica piscis sacred geometry, two overlapping circles meaning, ichthys symbol origin, gothic arch geometry, mandorla art, vesica piscis ratio, vesica piscis construction, vesica shaped seal
