I Ching Hexagram 1 - The Creative: Meaning & Interpretation
By DailyDestiny Editorial Team
Cast six solid lines and felt your pulse quicken? Here is what Hexagram 1, Qian, The Creative, is telling you: the Four Virtues of the King Wen judgment, the six dragon lines, the rare all-nines text, and where each changing line leads.
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What is Hexagram 1 (Qian, The Creative) and what does the cast look like?
Imagine you have an idea that will not leave you alone: a business, a book, a move to a new city. You toss the coins six times and every line comes up solid. You look it up, find Hexagram 1, The Creative, and feel a small jolt of hope. Is this the green light you were waiting for?
The short answer: Hexagram 1, Qian, is six unbroken lines, the Heaven trigram doubled, Heaven above and Heaven below. It is the only hexagram with six solid lines, so it is the purest yang in the I Ching. It says real creative energy is available to you, and it asks you to use it with integrity.
Four characters sit behind its judgment: yuan (originating), heng (penetrating success), li (benefiting) and zhen (perseverance). They became known as the Four Virtues of the Creative.
Heaven is upward-moving energy that starts things and never rests. Doubled, it reaches its maximum: the creative principle itself, not any one thing it makes.
Alfred Huang in The Complete I Ching explains that Qian originally pictured the rising sun lighting all things, and later came to mean heaven and the creative principle. A sunrise does not ask permission to begin.
Because all six lines are yang, the nuclear hexagram (lines 2-3-4 as lower trigram, lines 3-4-5 as upper) is Hexagram 1 again. Only Hexagram 2 shares that self-generating property.
Pure creative force makes nothing but more creative force. There is no hidden inner situation for you to dig up.
Hilary Barrett in I Ching: Walking Your Path, Creating Your Future describes Hexagram 1 as "the experience of being wholly identified with creative intent." Qian heads the King Wen sequence that nearly every modern translation follows. Its counterpart Kun stands right after it, a pairing covered in I Ching Hexagram 2 - The Receptive: Meaning & Interpretation.
What does the doubled Heaven trigram of Hexagram 1 mean in practice?
In practice it means a lot of creative energy and very little natural braking. You will notice it when you feel ready to start everything at once.
Wilhelm/Baynes describe the quality as "the power of the spirit to rise above the world of the senses." Most hexagrams live in the friction between two trigrams. Doubled Heaven is pure resonance, which is why the warning in Hexagram 1 falls entirely on the top line, not on any inner conflict.
How does Hexagram 1 relate to the cycle of the year?
In the traditional Chinese seasonal correspondence, Hexagram 1 belongs to the fourth lunar month, roughly May, when yang reaches full expression just before the summer solstice.
The six yang lines build up from the winter solstice one month at a time, so Hexagram 1 is the moment yang can rise no further. Like the longest day of summer, it is a peak, and the next station begins the return of yin.
Why is Hexagram 1 called "The Creative" rather than "Heaven"?
The trigram is named Heaven (Tian), but Wilhelm chose "The Creative" (Das Schopferische) to stress activity over location. Heaven is a place. The Creative captures the ceaseless movement heaven stands for in Chinese thought.
Alfred Huang translates the same hexagram as "Initiating," to stress the start of action rather than a finished state. Read it as a place and you get a description. Read it as an activity and you get an instruction.
What do the King Wen judgment and the six dragon lines of Hexagram 1 say?
If you want to know where you stand right now, the six dragon lines are the map.
The judgment attributed to King Wen is just four characters: "Qian. Yuan Heng Li Zhen." Wilhelm/Baynes render it "The Creative works sublime success, furthering through perseverance." It is the most analysed phrase in I Ching scholarship.
Yuan is heaven's primal, originating quality, heng smooth success, li what benefits and harmonises, zhen firm correctness held over time.
The line texts, attributed to the Duke of Zhou, follow one dragon as it rises:
Line 1: "Hidden dragon. Do not act." The dragon rests below the earth, its power real but unexpressed. You'll notice it when you have the idea but not yet the conditions.
Line 2: "Dragon appearing in the field. It furthers one to see the great man." The force becomes visible, and finding an ally multiplies it. You'll notice it when people finally start to see your work.
Line 3: "All day long the superior person is creatively active. At nightfall his mind is still beset with cares. Danger. No blame." Effort without rest creates exposure, real but not yet damaging while you stay aware. You'll notice it lying awake, still working the problem.
Line 4: "Wavering flight over the depths. No blame." The dragon hovers between the depths and the heights. This is the moment of real decision, the one you keep circling.
Line 5 is the ruler line: "Flying dragon in the heavens. It furthers one to see the great man." This is the climax, where vision and capacity meet in full. The "great man" is read two ways at once: an outside figure of authority worth seeking, and your own realised nature.
Line 6: "Arrogant dragon will have cause to repent." Creative power that overshoots turns destructive. The dragon that flies too high loses touch with the earth it was meant to serve. Hilary Barrett reads Line 6 as creative force that has forgotten its purpose and started serving itself.
Beyond the six lines, Hexagram 1 carries a seventh text found nowhere else except its counterpart, yong jiu: "There appears a flight of dragons without heads. Good fortune."
Why does the Duke of Zhou use dragon imagery for every line of Hexagram 1?
The Chinese dragon (long) is not the fire-breathing destroyer of Western stories. It is a benevolent cosmic animal tied to rain, rivers and imperial authority.
Its gift is vertical range, from the depths of water to the height of the sky. So the Duke of Zhou keeps one image and moves it through each stage, rather than switching symbols line by line.
Alfred Huang describes the dragon of Hexagram 1 as yang energy in different phases of development. The six lines read as one story, from dormancy to overreach.
What is the practical meaning of "Hidden dragon, do not act" in Line 1 of Hexagram 1?
Line 1 appears when your vision is genuine but premature: strong idea, strong urge, outside world not ready. Do not drop the vision. Develop it out of sight: learn the craft, build the resources, wait for the timing. Think of a seed in winter soil. It is not failing. It is getting ready.
The reward for waiting is Line 2, where the dragon enters the field on good terms. Forcing the move at Line 1 spends the energy of Hexagram 1 on ground that cannot hold it.
How should I understand the "arrogant dragon" warning of Line 6 in Hexagram 1?
Line 6 is the clearest teaching in the I Ching on the danger of unchecked power. When creative force stops serving anything beyond itself, when a leader acts only to hold position, the dragon becomes arrogant and "will have cause to repent."
The Wenyan commentary puts it sharply: the arrogant dragon knows how to advance but not how to retreat, knows existence but not annihilation.
The instruction is voluntary restraint at the peak, before the fall rather than after it. Ask yourself honestly: am I still building, or just holding on? The same theme is approached from the other side in I Ching Hexagram 63 - After Completion (Ji Ji): Success Is Not the End.
Which hexagram does each changing line of Hexagram 1 turn into?
When a line in your cast is moving, it shows you where your creative force is heading next.
Each changing line swaps one yang line for a yin line, so every result is one of the six hexagrams with exactly one broken line. Where that broken line sits tells you the direction.
Line 1 turns Hexagram 1 into Hexagram 44, Coming to Meet (Gou), Wind beneath Heaven. Something small and unplanned has entered underneath the situation, which is why the hidden dragon is told to hold still.
Line 2 produces Hexagram 13, Fellowship with Men (Tong Ren), Fire beneath Heaven. The dragon in the field finds company, and the reading turns toward alliance and shared purpose.
Line 3 produces Hexagram 10, Treading (Lu), Lake beneath Heaven: walking carefully behind something powerful. It matches the exhaustion and exposure of the third line exactly.
Line 4 produces Hexagram 9, The Taming Power of the Small (Xiao Chu), Wind above Heaven: great force checked by a small restraint, the wavering flight held in place a while longer.
Line 5 produces Hexagram 14, Possession in Great Measure (Da You), Fire above Heaven, among the most fortunate hexagrams in the book.
Line 6 produces Hexagram 43, Breakthrough (Guai), Lake above Heaven, where one soft element at the top must be removed.
Line 5 with Hexagram 14 is the strongest reading anywhere in the sequence. The flying dragon at its peak resolves into abundance held in the right hands.
Line 6 with Hexagram 43 is the sharpest warning. Breakthrough describes a community that has agreed something at the top has to go. Receiving it as the outcome of the arrogant dragon means the removal is being organised without you.
Line 4 into Hexagram 9 is the most often misread. People take the wavering flight as a failure of nerve. But The Taming Power of the Small describes accumulation under restraint, dense clouds that have not yet released rain.
Notice too that Hexagram 44 and Hexagram 43 are mirror images: one yin line entering at the bottom, one leaving at the top. The first and last lines of Hexagram 1 point at two views of the same event.
Do you read the changing line text or the resulting hexagram first in Hexagram 1?
Read the line text first: it answers your question. Then read the resulting hexagram: it shows where the situation is moving.
With one moving line, the line text carries most of the reading. With two or three, most practitioners weight the highest moving line most heavily. The mechanics of casting coins or yarrow stalks and spotting old yang lines are set out in I Ching Beginner's Guide: How to Consult the Book of Changes.
Why does the first changing line of Hexagram 1 produce Hexagram 44, Coming to Meet?
A single yin line entering at the bottom of six yang lines forms Wind beneath Heaven, the structure of Gou.
Classical commentary treats that lone yin line as an encounter that arrives unbidden, harmless-looking yet at the root of the situation. Set against "Hidden dragon, do not act," it sharpens the advice: the reason not to move is not that the timing is early, but that something new has entered at the base and not yet shown what it is. Wouldn't you want to know what it is before you leap?
What does it mean when Line 5 of Hexagram 1 changes into Hexagram 14?
The flying dragon becomes Hexagram 14, Possession in Great Measure, Fire above Heaven: creative power that has produced real, visible abundance.
The single yin line in Hexagram 14 sits in the ruler position and holds all five yang lines through openness rather than force. It is the traditional picture of authority that attracts loyalty instead of compelling it.
The peak is genuine, and the results are yours to look after. Since what follows the peak is governed by Line 6, the instruction is to consolidate rather than push for more altitude.
How do position, centrality, and correspondence work in Hexagram 1?
If you want to know why each line of your cast feels the way it does, these three classical tests explain it.
Correctness (dang wei). Odd places one, three and five are yang places. Even places two, four and six are yin places. A line is correct when its nature matches its place. In Hexagram 1, the lines in places one, three and five are correct. The yang lines in places two, four and six are technically out of place.
Centrality (zhong). Place two is the centre of the lower trigram and place five the centre of the upper, and centrality generally outweighs correctness. Line 5 is both central and correct, which is why it is the ruler line and carries the flying dragon. Line 2 is central but not correct, and its text compensates by sending you to find the great man.
Correspondence (ying). This pairs line 1 with 4, line 2 with 5, and line 3 with 6. It holds only when the paired lines are opposite in nature. Every pair in Hexagram 1 is yang with yang, so Hexagram 1 has no correspondence at all.
With no correspondence, no line has a partner to answer it, and the energy has nowhere inside to discharge. Picture a room with no windows and the heater on full. That is why the warning in Hexagram 1 arrives at the top rather than the middle. With no yin to absorb it, yang keeps rising until it runs out of sky.
It also explains why the line texts send you to seek allies twice, at Line 2 and Line 5. What Hexagram 1 cannot supply internally has to be found outside it.
Line 3 is the most exposed line for the opposite reason. It is correct in a yang place but sits at the top of the lower trigram, past the safety of centrality and not yet in the upper world. The Duke of Zhou gives it the only "danger" in the hexagram. The balanced meeting of Heaven and Earth belongs to I Ching Hexagram 11 - Peace: Meaning & Interpretation.
What are the six lines of Hexagram 1 called in traditional notation?
Every line of Hexagram 1 is a nine, since nine is the number of yang. Read from the bottom up, the traditional names are chu jiu (nine at the beginning), jiu er (nine in the second place), jiu san (nine in the third place), jiu si (nine in the fourth place), jiu wu (nine in the fifth place) and shang jiu (nine at the top).
Hexagram 1 adds one more label found nowhere else except its counterpart: yong jiu, the use of nine, which governs the all-nines cast. Most translations head the line texts this way rather than by number.
Why is Line 5 the ruler line of Hexagram 1?
It is the only line that is both central (middle of the upper trigram) and correct (a yang line in a yang place).
Place five is the sovereign position in every hexagram, and in Hexagram 1 a yang line holds it with nothing diluting its nature. The flying dragon text belongs there for that reason, not by poetic choice. When Line 5 moves in your cast, the change touches the governing principle of the situation, not a detail of it.
What does it mean that Hexagram 1 has no corresponding lines?
Correspondence needs opposite polarity, and all three pairs here are yang with yang. So the situation has no built-in feedback: no line checks another, and momentum meets no resistance from inside. That makes Hexagram 1 so productive at the start and so dangerous at the top.
If you are already stretched thin, practitioners usually put the weight of the reading here rather than on the encouragement of the judgment. Who in your life is allowed to tell you to slow down?
What does Confucius say about Hexagram 1 in the Ten Wings?
If you have ever wondered whether the I Ching is about fortune or about character, the Ten Wings answer: both.
They give Hexagram 1 more space than any other hexagram, producing some of the most influential philosophy in Chinese history.
The Wenyan (Commentary on the Words of the Text), traditionally attributed to Confucius, treats Hexagram 1 as a treatise on moral self-cultivation rather than a divination entry. It reads the Four Virtues as ethical capacities:
Yuan is the ability to bring all beings to their proper beginning.
Heng is the power to draw things together in harmony.
Li is the capacity to act in accordance with what is right.
Zhen is the strength to sustain things to completion.
The Tuanzhuan (Commentary on the Judgment) lifts the tone: "Great indeed is the sublimity of the Creative, to which all beings owe their beginning and which permeates all heaven."
The Xiangzhuan (Commentary on the Image) gives the practical conclusion: "The movement of heaven is full of power. Thus the superior person makes himself strong and untiring."
The Wenyan draws ethical teaching from the imagery line by line. On Line 1, it says the dragon lies hidden because it is not yet time to act, and the superior person cultivates virtue and waits for the proper moment.
On Line 2, the superior person learns and gathers, questions and discriminates, magnanimous in nature yet careful in conduct.
On Line 5, things which accord in tone vibrate together, and things with affinity in their inmost natures seek one another. That passage became a foundation for the Chinese concept of ganying, sympathetic resonance, which went on to shape music theory and medical philosophy far outside divination.
What are the Ten Wings and why do they matter for Hexagram 1?
The Ten Wings are ten appendices to the I Ching traditionally attributed to Confucius, though modern scholarship dates them to the Warring States period and later.
They include the Tuanzhuan (Commentary on the Judgment), the Xiangzhuan (Commentary on the Image), the Wenyan (Commentary on the Words of the Text) and the Xici, or Great Commentary.
For Hexagram 1 the Wenyan matters most. It exists in full form for only two hexagrams and gives Hexagram 1 its longest classical treatment, turning a divination entry into moral philosophy quoted for two millennia.
How did Confucian commentary connect Hexagram 1 to moral self-cultivation?
It reads the dragon's climb as the junzi, the superior person, growing in virtue by stages. The hidden dragon is the student building character in obscurity. The dragon in the field is emergence into public service. The flying dragon is the mature figure whose influence benefits many. The arrogant dragon is that same person failing to know when to stop.
Each stage asks for something different: patience at the bottom, restraint at the top. Which one is life asking of you this year?
What is the concept of sympathetic resonance in Hexagram 1?
Sympathetic resonance, ganying, comes from the Wenyan commentary on Line 5, which says things according in tone vibrate together.
The idea is that like energies attract and amplify each other with no force between them, the way one struck string sets another of the same pitch moving.
Applied to your reading, it means you draw the circumstances and allies that match what you actually are, not what you advertise. Hilary Barrett sums it up as creative power working by attraction rather than by force.
What does Hexagram 1 mean in a relationship or love reading?
If you asked about love and got six solid lines, you are probably feeling a strong pull, and the hexagram has something honest to say about it.
It describes a dynamic driven by strong yang energy and momentum. For a new connection, that means powerful attraction and the early phase where building something together feels obvious and urgent.
The risk follows from the structure: six yang lines and no correspondence means nothing in it receives. Two people both running pure Creative energy tend to produce a contest rather than a partnership, like two drivers grabbing the same steering wheel. The counterweight is receptivity, treated in I Ching Hexagram 2 - The Receptive: Meaning & Interpretation.
If you are looking for a partner, the lines teach directly. The hidden dragon of Line 1 meets nobody. The dragon in the field of Line 2 becomes visible and gets noticed.
In an established partnership, Hexagram 1 often marks a stretch where one of you is absorbed in a personal vision. That is healthy while the relationship still gets attention. The arrogant dragon of Line 6 applies to love as directly as to power.
The six lines give couples a usable timeline:
Hidden dragon: private attraction.
Dragon in the field: public courtship.
Line 3: the working phase, with its warning about exhaustion.
Wavering flight (Line 4): the commitment decision.
Flying dragon: partnership at full expression.
Arrogant dragon: taking each other for granted.
Finding where you are is more useful than judging the relationship, since each position has its own right response.
Does Hexagram 1 favor starting a new relationship?
Yes. It is among the most favourable hexagrams for beginning a new relationship, because it carries maximum initiating energy and its judgment promises sublime success through perseverance.
The condition is that you approach directly, not strategically. The Creative works through genuine strength, not calculated moves. The weight on zhen also implies that early intensity is a starting condition, not a guarantee.
What does Hexagram 1 mean for an existing relationship in difficulty?
It calls for creative initiative to break the stalemate. Someone has to name the problem and move things, since the hexagram has no receptive line that makes waiting productive.
That initiative must carry zhen, correctness, with it. A solution imposed through dominance triggers the arrogant dragon pattern of Line 6. So the practical form here is bold action offered, not bold action applied. Could you be the one to open the conversation gently?
What does Hexagram 1 mean for career, business, and money?
If you asked about work, money or a venture you are dreaming of, this is the strongest career hexagram in the I Ching.
It stands for entrepreneurial vision, leadership and making something where nothing existed. It says extraordinary creative energy is available and conditions favour decisive initiative.
The Four Virtues map straight onto business. Yuan is an original vision that meets a real need. Heng is building systems that make success repeatable. Li is an enterprise that benefits everyone it touches. Zhen is holding your standards when a shortcut is available and nobody would notice.
Financially, Hexagram 1 favours growth and new ventures over preserving capital, while warning hard against overextension. The changing lines refine your timing:
Line 1: prepare before launching.
Line 2: the moment to become visible has arrived.
Line 3: a burnout warning.
Line 4: a decision that sets the direction of everything after it.
Line 5: peak influence.
Line 6: refusing to adapt or delegate undermines everything already built.
Alfred Huang connects the business side of Hexagram 1 to shi, the strategic momentum stored in a situation. When The Creative appears in a business question, shi is at maximum. Moves that would be reckless in another season are correctly timed now. Think of a surfer who finally has the right wave under the board.
The relating hexagrams sharpen this. A Line 2 cast resolving into Hexagram 13, Fellowship with Men, reads as a venture that succeeds through partnership rather than solo effort: concrete guidance about cofounders.
A Line 4 cast resolving into Hexagram 9, The Taming Power of the Small, reads as a business held up by something minor but immovable, a permit or a single holdout. The right response there is accumulation, not confrontation.
Should I start a new business if I receive Hexagram 1?
It is among the strongest endorsements for entrepreneurial action: doubled Heaven says your inner capacity and outside conditions both support creation. The moving lines refine it. Line 1 says wait and prepare. Line 2 says seek allies and mentors before scaling. Lines 3 and 4 point to a venture already underway, facing strain or a real fork. Line 5 signals optimal conditions. Line 6 warns that you may be launching from overconfidence.
With no moving lines, the judgment applies plainly. The answer is yes, with perseverance attached as the condition.
What does Hexagram 1 mean for job seekers?
It advises creating opportunities rather than applying into queues. Contact decision-makers directly and show what you can do through something you made, not credentials alone.
The dragon sequence is your instruction set. Become visible at Line 2 instead of perfecting a resume in private. Expect the sustained effort of Line 3. Aim at roles that allow the full expression of Line 5.
A hidden dragon does not get hired. Hexagram 1 also suggests declining a role that would keep your capability out of sight.
How do you work with Hexagram 1 in daily practice?
You can carry Hexagram 1 into an ordinary day with one simple question: which of the six dragon stages describes what you are actually doing right now?
A common contemplative practice is to build the six lines as bands of light from the base of the spine to the crown. You begin with the hidden dragon coiled at the bottom as latent potential, then move upward through emergence, sustained work, decision, full expression, and finally the release of creative attachment at the top.
Fifteen to twenty minutes is typical, often before demanding creative work or a negotiation.
The six lines make one point over and over: creation moves through stages, and you cannot jump from hidden potential to full flight. Applying the wrong stage's virtue is the usual way a promising project fails. The aim is aligned creative intent, where your will and the movement of events stop fighting each other.
Hilary Barrett suggests using Hexagram 1 as a journaling prompt with two questions. Where in my life am I called to create? Where is my dragon right now: hidden, emerging, working, deciding, flying or overreaching?
Mapping your projects onto the six stages tends to expose one specific mismatch. Usually it is a project being pushed at Line 5 intensity while it is honestly still at Line 1.
Alfred Huang recommends keeping a divination journal of each consultation and what actually happened afterward. That record is worth most for a hexagram like this one, whose encouragement is easy to hear as blanket permission.
How can I use Hexagram 1 as a daily meditation?
Take one line each morning and sit with its dragon image. A day that demands waiting belongs to the hidden dragon of Line 1. A day of presenting or pitching belongs to the dragon in the field of Line 2. A day at peak output belongs to the flying dragon of Line 5.
Rotating through all six lines over six days builds a rhythm of honest creative self-check.
What books best explain Hexagram 1 for modern readers?
Three translations cover it from different angles.
Wilhelm/Baynes, published by Princeton University Press, gives the classic scholarly rendering with Jungian framing and the fullest presentation of the Wenyan material on Hexagram 1.
Alfred Huang's The Complete I Ching gives the most thorough treatment of the Chinese characters and traditional commentary.
Hilary Barrett's I Ching: Walking Your Path, Creating Your Future gives the most usable modern application. Reading all three on Hexagram 1 takes about an hour.
Questions people ask
What does Hexagram 1 The Creative mean in the I Ching?
Hexagram 1 (Qian, The Creative) is the most yang hexagram in the I Ching: six unbroken lines forming doubled Heaven trigrams. In the Wilhelm/Baynes translation its judgment reads "The Creative works sublime success, furthering through perseverance." It is the primal creative force that sets things in motion, and drawing it favours bold action that keeps its integrity.
How do I interpret the changing lines in Hexagram 1?
Each of the six lines carries its own guidance when it changes (old yang, coin value 9). Line 1 says "Hidden dragon, do not act": the power is latent and the timing is not right. Line 2 says "Dragon appearing in the field": you are becoming visible. Line 3 warns of danger from unbroken exertion. Line 4 is a wavering flight over the depths, a real choice point. Line 5, the ruler line, announces "Flying dragon in the heavens." Line 6 warns that "the arrogant dragon will have cause to repent."
What does all six lines changing mean in Hexagram 1?
When all six lines change at once, a seventh text applies that belongs to no other hexagram except its counterpart: yong jiu, "the use of nine." It reads "There appears a flight of dragons without heads. Good fortune." The headless dragons are creative power with no dominating ego leading the flight. An all-nines cast turns Hexagram 1 into Hexagram 2, The Receptive, so maximum yang hands the situation straight to maximum yin.
Which hexagram does Hexagram 1 change into?
Each moving line gives one of the six hexagrams with a single yin line. Line 1 gives Hexagram 44, Coming to Meet. Line 2 gives Hexagram 13, Fellowship with Men. Line 3 gives Hexagram 10, Treading. Line 4 gives Hexagram 9, The Taming Power of the Small. Line 5 gives Hexagram 14, Possession in Great Measure. Line 6 gives Hexagram 43, Breakthrough. If every line moves, Hexagram 1 becomes Hexagram 2, The Receptive.
What is the nuclear hexagram of Hexagram 1?
It is Hexagram 1 itself. Nuclear hexagrams take lines 2-3-4 as the lower trigram and lines 3-4-5 as the upper trigram, and since every line of Hexagram 1 is yang, both nuclear trigrams are Heaven. Only Hexagram 1 and Hexagram 2 have this self-referential quality: pure creative force contains nothing but more creative force, with no hidden inner situation to uncover.
What does Confucius say about Hexagram 1?
The Ten Wings give Hexagram 1 more commentary than any other hexagram. The Wenyan (Commentary on the Words of the Text), traditionally attributed to Confucius, treats it as a treatise on moral cultivation and reads each of the Four Virtues as an ethical capacity, not only a cosmic attribute. The Tuanzhuan (Commentary on the Judgment) states "Great indeed is the sublimity of the Creative, to which all beings owe their beginning." The Xiangzhuan supplies the most quoted line: "The movement of heaven is full of power. Thus the superior person makes himself strong and untiring."
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Related topics: hexagram 1, the creative iching, qian hexagram, iching creative meaning, i ching heaven hexagram, hexagram 1 changing lines, king wen hexagram 1, qian trigram meaning, flying dragon in the heavens, yong jiu all nines
